Analysis of Tchaikovskys Fantasy Overture Romeo and Juliet essays

Analysis of Tchaikovsky's Fantasy Overture Romeo and Juliet essays A Russian composer known for his colorful and romantic music, Peter Ilyich Tchaikovsky was born May 7, 1840. He was a composer of the Romantic Period a time when music acquired poetic/philosophical meaning. In accordance with this focus on the arts, Tchaikovsky was an extremely well-read and educated man. Therefore, it was only natural he write a musical interpretation of one of Shakespeares greatest tragedies, Romeo and Juliet, which I had the please of seeing performed by the RPO. The Romeo and Juliet overture is done in sonata-allegro form and contains two major musical themes: the Friar Laurence/Capulet This first theme is broken up into two parts. The music begins as a solemn chorale, much like the music used in the Russian Orthodox Church, here obviously Tchaikovsky is musically representing Friar Lawrence. This section starts off with a series of woodwind instruments, leading to the strings and horns, and coming full circle back to the woodwinds. Tension begins to build as this part of the theme is repeated; the opening wind chords become much faster over plucked strings. The timpani is then added in, making the tempo speed up, leading into the second half of the first theme-the struggle between the Capulets and Montagues. Here, Tchaikovsky brilliantly utilizes a break in the music filled by the crash of the cymbals to indicate a swordfight. Flutes are added in to suggest the scurrying that usually takes place during a battle. Fragments are passed between the woodwinds and strings to illustrate the scrape of metal on metal. Such image painting is a characteristic mark of Tchaikovsky. The first theme is then repeated, and the tempo slows, down decreasing the tension. This is when the transition to the second theme (Love theme) occurs. Like the first theme, the second is also separated into two pa...